Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
industrial production and totalitarism, collective spirit,
ideology, which means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
recognition of time universality. Its organisational is an
intense agitation and a systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular with a centralized
programme. One transmitter and a of receivers, and with a
communication uncommunication. Laibach's musical approach is a
move to the area of pure of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is strained, only force remains as the
ultima ratio of social integration. The force must adopt the of
systematic, physical and terror, organized in accordance with
social relations. Terror is obtaining a function of power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the existing apparatus. For the
totalitarian of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, constitution of an between fear and
fascination, which affects the consciousness of people,
through stage of ritualized demonstration of political power,
and through other manipulative means of an individual, practises a
sound force, in a of systematic, psycho-physical terror as social
organisational principle, in order to discipline and raise a
of total adherence bond of a certain, revolted and alienated
audience, results in a state of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock is to challenge collective
emotions and automatic associations, and as such it as the means of
working stimulation. By the consumer's mind, it drives him into
a state of humble and total obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass into a humble, body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
Laibach unites the biters and antagonistics into an of static,
cry. Our basic inspiration, ideals which are not ideals to
their form, but the material of Laibach, manipulation of self, an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly organised of technicist
production, and as such the most means of media manipulation.
As an archetypal structural basis of the unconscious in a
worker mass, it automatic mechanism, and shapes
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to write one down by ear... Took me hours.]