Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
takes over an organisational system of work, after the model of
industrial and totalitarism, collective spirit, identification
with ideology, which means: not the individual, but the
speaks. Our work is industrial, our political. Laibach is a
recognition of time universality. Its activity is an
intense and a constant systematic propagating, ideological
offensive. Any social activity affects the mass. functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular with a centralized
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. Laibach's approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is strained, only force remains as the
ultima ratio of social integration. The must adopt the form of
systematic, physical and psychic terror, organized in accordance
social relations. Terror is obtaining a of productional power,
extorts discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an between fear and
fascination, which rudimentarily the consciousness of people,
stage performances of ritualized demonstration of political power,
and through other manipulative of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical terror as
principle, in order to effectively discipline and raise a
feeling of total bond of a certain, revolted and alienated
audience, results in a state of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
constructions, and of rock concerts is to challenge collective
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it drives him
a of humble contrition and total obedience, self-sacrifice, by
destroying every of individuality, it melts the individuals into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
Laibach unites the biters and antagonistics an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the material of Laibach, manipulation of self, an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
radical form of the militantly organised rhythmicity of technicist
production, and as such the most means of media manipulation.
As an archetypal structural basis of the unconscious in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]