Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, which means: not the individual, but the
speaks. Our work is industrial, our language political. is a
recognition of universality. Its organisational activity is an
agitation and a constant systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of strict institutionality, identification
institution, as theatre, or popular culture with a centralized
programme. One and a multitude of receivers, and with a
communication through uncommunication. musical approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is becoming strained, only force as the
ultima ratio of social integration. The force must adopt the of
systematic, physical and psychic terror, organized in accordance
relations. Terror is obtaining a function of productional power,
which extorts and an adaptation of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian form of government, the systematic becomes a
constitutional instrument of authority. the mystic,
sound, constitution of an ambivalence between fear and
fascination, which rudimentarily affects the of people,
stage performances of ritualized demonstration of political power,
and through other means of an individual, Laibach practises a
force, in a form of systematic, psycho-physical terror as social
organisational principle, in order to effectively and raise a
feeling of total adherence of a certain, revolted and alienated
audience, which in a state of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of concerts is to challenge collective
emotions and automatic associations, and as such it as the means of
stimulation. By darkening the consumer's mind, it drives him into
a state of humble and total obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass a humble, collective body. The dualism of Laibach's
message, perception and receiver's uncovers the social neurosis.
Laibach the biters and antagonistics into an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
form, but the material of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly rhythmicity of technicist
production, and as such the most means of media manipulation.
As an archetypal structural basis of the collective in a
worker mass, it stimulates mechanism, and shapes
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to write one down by ear... Took me hours.]